{"id":2683,"date":"2013-09-27T10:07:25","date_gmt":"2013-09-27T10:07:25","guid":{"rendered":"http:\/\/soc.ba\/?p=2683"},"modified":"2013-09-30T08:35:36","modified_gmt":"2013-09-30T08:35:36","slug":"theatrical-reading-od-srdan-sandics-text-and-conversation-with-the-author-october-4th-mak","status":"publish","type":"post","link":"https:\/\/soc.ba\/en\/theatrical-reading-od-srdan-sandics-text-and-conversation-with-the-author-october-4th-mak\/","title":{"rendered":"Theatrical reading of Sr\u0111an Sandi\u0107’s texts and conversation with the author, October 4th, Mak"},"content":{"rendered":"![\"logo](\"http:\/\/soc.ba\/site\/wp-content\/uploads\/2013\/09\/logo-mess.jpg\")
Drama (t)Umor<\/i> converses with monodrama Zagreb mon amour<\/i> through polilogues, dialogues and monologues. Mon amour <\/i>ends where (t)Umor<\/i> begins and vice versa. Both dramas revolve around the lack of subject and meeting the horrorifying blocks of thought on happiness and love. It is about encountering paucity, in which autonomous language beyond classical principles of naration thematizes the lack of love through free associative interlacing of dramatic and lyric segments, playing with linguistic cliches and reminiscensces of pop culture, Hollywood movies, pop songs lyrics, self-help books, reminiscensces of philosophy and literature. Sr\u0111an Sandi\u0107, actress Sanela Krsmanovi\u0107 and actor Adi Hrustemovi\u0107 will be reading the dramas. During the second part of the evening, theatrical reading will transform into conversation with the author, lead by Selma Ke\u0161etovi\u0107.<\/p>
Date: Friday, October 10, 2013
Venue: Museum of literature and theatre
(address: Sime Milutinovi\u0107a Sarajlije 7)
5 pm<\/p> ","protected":false},"excerpt":{"rendered":"
Drama (t)Umor converses with monodrama Zagreb mon amour through polilogues, dialogues and monologues. Mon amour ends where (t)Umor begins and vice versa. Both dramas revolve around the lack of subject and meeting the horrorifying blocks of thought on happiness and love. It is about encountering paucity, in which autonomous language beyond classical principles of naration … Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":2681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[481,2],"tags":[1626,600,598,597,596,599],"class_list":["post-2683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lgbt-and-culture","category-news","tag-lgbt-en","tag-mess-en","tag-october-2013","tag-selma-kesetovic","tag-srdan-sandic-en","tag-theatrical-reading"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/soc.ba\/site\/wp-content\/uploads\/2013\/09\/logo-mess.jpg","_links":{"self":[{"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/posts\/2683"}],"collection":[{"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/comments?post=2683"}],"version-history":[{"count":0,"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/posts\/2683\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/media\/2681"}],"wp:attachment":[{"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/media?parent=2683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/categories?post=2683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soc.ba\/en\/wp-json\/wp\/v2\/tags?post=2683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}